The hybrid 40th SCCR maintained the traditional schedule of a normal meeting and so reserved the last session for a quick review of the subjects which are vying for a position on the formal SCCR policy agenda: a miscellany it gathers together as ‘Other Matters’.

Those subjects are 

• Copyright in the digital environment.
• Resale Right
• Rights of theatre directors
• Proposal for a study on public lending right

The proposal for a study on public lending right was on this list for the first time following the request by the delegation of Sierra Leone at SCCR 39 (and since supported by Panama and Malawi). 

The update presentations and reactions from delegates and observers was efficient and eerie, both. In full measure.

And with that, Mr Abdoul Aziz Dieng of Sénégal, thanked all of the participants, the Chair’s summary was read out, and the meeting closed. 

Day 3 of the hybrid SCCR 40 saw the Exceptions and Limitations discussions take centre stage. Given the decision of Member States to limit interactions at this meeting to stock-taking, the main focus was on the 130-page report issued by WIPO following the three Regional Seminars held in 2019 in Singapore, Nairobi and Santo Domingo and the subsequent international conference held in Geneva last October. The IPA participated in all these events, gathering together local publishers and coordinating closely with representatives of other stakeholders, including authors and CMOs.  

This first meeting of the WIPO Standing Committee on Copyright and Related Rights (SCCR) of 2020 is an almost 100% virtual affair, save for a handful of people in the plenary chamber in Geneva, with a dramatically reduced programme of a couple of hours per day, and with a promise of no normative (or law-making) discussions on any of the agenda items. 

As a bonus to our series of posts for Global Goals week, we thought we would concentrate on a specific goal, namely SDG 5: Gender Equality.  

Francyne Harrigan, the Director of the UN's Information Centre in Jakarta talks to us about how she brought the UN SDG Book Club initiative to Indonesia with a local twist.

Rachel Martin interviews Sherri Aldis, Chief, United Nations Publications.

As part of Global Goals Week, associations from the Brazilian and Portuguese book sectors came together to announce a new SDG Book Club that will launch in 2021.

An Interview with Ellen Sporstøl and Kristin Orjasater on how Norway is inspiring the next generation of readers to become more sustainable. 

SCCR 39 concluded this evening with an agreement found on how to keep the Exceptions and Limitations discussion moving forward and the other agenda items wrapped up and a possible new issue raised in the chamber.

The second day of discussions on the broadcasting treaty were mainly conducted behind closed doors with the plenary chamber finally filling at 17:40 for a presentation of conclusions.

Today’s discussions saw the focus shift from Exceptions and Limitations to the Broadcasting Treaty (and sadly not about all of the value generated by the copyright in an original work that migrates from being a book to a film, for example). The Exceptions and Limitations discussions are not over, by any stretch of the imagination, and they continue to rumble behind closed doors.

The first day closed with Dr Kenneth Crews waiting to be grilled by delegates and observers. He was given the opportunity this morning, but the highlights today were the side events and the ripples from some late-night messages to delegates.

While the publishing industry was gathered in Frankfurt last week for the most important international book fair in the world, the action was already starting at WIPO in Geneva with an International Conference on Exceptions and Limitations on Friday and Saturday 18-19 October.

Friday at SCCR 38 was for “other matters” – copyright in the digital environment, resale right and theatre directors. 

Following Wednesday’s jam-packed day of presentations and side-events, you could feel a drop in energy in the chamber today as a number of reports were presented.

Wednesday morning, before the start of the WIPO plenary session, IPA had two important meetings. Firstly, we were invited to take part in a regular briefing that the US delegation offers particular stakeholders at every SCCR. Secondly, IPA then met with the Asia-Pacific Group which includes Members States from a huge swathe of territory from the Middle East to islands in the Pacific. In a friendly meeting, we asked if there were reviews of copyright on the horizon among their members. We discussed the upcoming WIPO regional conferences (the first of which, will be at the end of April, in Singapore) as well as various other events and projects within their borders. These types of meetings are very important to ascertain current positions and plumb possible future shifts.

The second day of the 38^th session of the WIPO SCCR, began with the regular meeting the IPA organizes on Tuesday morning for the representatives of the Creative Sector Organisations Group that we coordinate. On the 13^th floor of the WIPO building with sweeping views up Lake Geneva towards Lausanne, we convened a meeting that included representatives of the music, film and collective management sectors as well as publishing. The purpose of the meeting is to brief those who had missed the first day’s action and to plan what we will do for the rest of the week.

Yesterday was the first day of the 38th session of the WIPO SCCR. If you need to re-familiarise yourself with what has happened previously and some of the WIPO lingo here are links to previous diaries, our jargon buster and the official SCCR page.

Today, we begin the week-long, 38^thsession of the Standing Committee on Copyright and Related Rights (SCCR) at the World Intellectual Property Organization (WIPO). For those of you new to these conferences, we direct you to our summary of where we ended up last time (in November 2018).  

IPA’s President-elect, Hugo Setzer, virtually opened the last day of SCCR 37 in a video prepared by the Accessible Books Consortium (ABC). Hugo spoke eloquently (in Spanish, with English subtitles) about accessibility issues as they affect his native Mexico as well as the global context.