Books are playing a major role in spreading ideas, enriching the culture and turning our democracies into flourishing debated places. No matter whether they are used to escape from our reality or to dive into it, access to books remains a fundamental human right. This right is reinforced by the application of the European Accessibility Act that urges the ebooks ecosystem to comply with accessibility obligations for products and services. This directive creates an inclusive society by ensuring access to ebooks for all European citizens, regardless of their disabilities.

The European Digital Reading Lab (EDRLab) is a digital innovation laboratory by and for the publishing industry. We are an international, non-profit development laboratory, working on the deployment of an open, interoperable and accessible digital publishing ecosystem, worldwide. We develop technology to accelerate the adoption of digital reading in different forms: text, audio and image.

I write this post while returning home from a board meeting of the Accessible Books Consortium (ABC) and the celebration of the Marrakesh Treaty’s 10^th anniversary at the World Intellectual Property Organization, WIPO, in Geneva.

Arthur Thompson and Martin Klopstock of Kogan Page share their thoughts on the evolution of accessibility following the publication of EPUB3.3.

On June 21st, the Mexican Association for Intellectual Property Protection (Asociación Mexicana para la Protección de la Propiedad Intelectual) celebrated the discussion forum “Marrakesh Treaty in Mexico. Its Application and Publishing Tools for Accessible Books” (Tratado de Marrakech en México. La aplicación del tratado y herramientas editoriales para ediciones accesibles). The event was hosted by the National Chamber for the Mexican Publishing Industry (Cámara Nacional de la Indistria Editorial Mexicana, CANIEM). It gathered a wide variety of professionals and institutions that talked from different points of view about the current state of the treaty´s provisions in Mexico. 

In the context of the European Accessibility Act publishers are producing more and more accessible ebooks. But many titles were produced before and are still on sale, this is what we call the backlist and it is particularly important because the sales generated by those books can be very low but they remain on sale thanks to the low cost maintenance of digital warehouses. Making backlists accessible can quickly become expensive and challenging when millions of ebooks are concerned.

The Accessible Books Consortium, a secretariat of the World Intellectual Property Organization in Geneva, has an open call for application to their fellowships. Find out more!

What a feeling - the exhilaration (and a little relief after chairing the programming committee) – following the end of the 33^rd International Publishers Congress. After nearly 2 years of preparations we had over 600 delegates and speakers registered from 63 countries to Jakarta to discuss, dissect, analyse and celebrate our international publishing sector. 

There is a lot of chatter about accessibility and born accessible content these days, and for good reason. But what does it mean in practice for IPA's members and individual publishers? The European Accessibility Act (EAA) is due to have a seismic impact on that marketplace which will ripple out to markets around the world, whether we are ready for it or not. In much the same way that the EU General Data Protection Regulation (GDPR) rules have impacted internet use around the world, the EAA will impact any publisher wanting to sell digital content in the EU and its supply chain.

Hugo Setzer, IPA Past President and head of the IPA's Accessibility Working Group spoke to Paul Gillijns and Sanne Walraven of the Dutch Educational Publishers and Dutch General Publishers Associations respectively about their 18 month programme to train publishers in accessibility ahead of the implementation of the European Accessibility Act in 2025.  

The term of IPA Past President, Dr Michiel Kolman, on the board of the Accessible Books Consortium (ABC) came to an end last month. The ABC is hosted by WIPO and is part of the practical implementation of the Marakesh Treaty. Michiel has been succeeded by Laura Brady of Canadian publisher, House of Anansi. I asked Michiel about his work on the ABC board and to Laura about her background in accessibility and her hopes for the future.

Available in Portuguese, Turkish and Spanish.

For the last four years, as Vice-President and then President of the International Publishers Association, I promoted accessible publishing around the world, talking with key stakeholders of the book industry and addressing multiple audiences about the commitment of the IPA to this important matter. My main goal was to explain what accessible publishing is and what it means, to communicate its significance, and to convince publishers to go accessible by signing the Charter for Accessible Publishing of the Accessible Books Consortium. Being actively involved with the issue has made me passionate about it, and I am thrilled to be able to continue working to increase the number of accessible publications. I would like to thank the Chair of IPA’s Inclusive Publishing and Literacy Committee, past president Michiel Kolman, for his invitation to coordinate our efforts in favour of accessibility.

I have come to believe that accessible publishing is something all publishers should and must embrace.

Publishers should embrace accessible publishing because of its moral significance. Books bring us joy, inspiration, and knowledge, and they make us think, imagine, and create. Books are magical, but sadly over 285 million Visually Impaired People (VIPs) worldwide¹ have access to less than 10% of published works². Imagine never having the opportunity to read everything that shaped you to be the person you are now. As publishers we have the moral obligation of allowing everybody to enter this magical world of books, including any person with a visual impairment.

I know many publishers may not see this as a priority. The threats to the core of our business, especially copyright infringement and threats to the freedom to publish, can already be overwhelming enough to worry about something for purely moral reasons. But that is the thing. Accessible publishing is not about charity. It is about doing the right thing, also in terms of our business models. This is why I also say we must embrace it. Accessible publishing is inherent to modern publishing, and I will show it through four compelling reasons.

Francyne Harrigan, the Director of the UN's Information Centre in Jakarta talks to us about how she brought the UN SDG Book Club initiative to Indonesia with a local twist.

Rachel Martin interviews Sherri Aldis, Chief, United Nations Publications.

As part of Global Goals Week, associations from the Brazilian and Portuguese book sectors came together to announce a new SDG Book Club that will launch in 2021.

Between end of July and early September I had the chance of participating in several important events throughout Latin America. A region full of contrasts, where a wealthy, vigorous parts of society still coexists with undeserving levels of poverty. An assignment still to solve. Every country with a different, rich culture and traditions and enchanting people.

On the topic of inclusion, we tend to focus on the areas of gender and sexual orientation. What does not receive as much attention is the area of accessibility. Simply put, having our products and services designed for people with disabilities speaks to the core of what publishers care about; the ability to reach and convey understanding to our target audiences. Accessibility is a key focus at the IPA, and the current IPA President, Hugo Setzer, is leading the call for publishers to support inclusive publishing practices. I caught up with Hugo to find out more; 

This week I was in San José, Costa Rica, for a WIPO workshop on the Marrakesh Treaty (…to Facilitate Access to Published Works by Visually Impaired Persons and Persons with Print Disabilities), and the Accessible Books Consortium (ABC), on 13-15 June. 

Occasionally, copyright and the rights of disabled people are framed as somehow incompatible—as though the former may preclude the latter—but to my mind these rights are definitely not mutually exclusive.